White Lies - Live Review
O2 Academy Oxford
This one felt like a bit of a gift. White Lies were at the O2 Academy Oxford as an outstore show with Truck Music Store, tied to the release of Night Light, and instead of the big main room downstairs we were squeezed into the upstairs space. I’d not seen the band in years, and a lot of my own history with them is wrapped up in To Lose My Life... era bus rides, headphones on, pretending I wasn’t sentimental about it.
They came out and got straight to it with All the Best from the new record. The room is small enough upstairs that you can clock faces properly, not just a vague crowd, and it felt like most people were in that same headspace of being pleased this was happening in a room this size.
Juice landed early, second in, and it was the first moment where you could feel the new album context in the room. It got a proper reaction, not polite, and it didn’t stick out as a "new track" detour either. That’s always the risk at these album week shows, but it flowed alongside the older stuff without anyone shifting their feet. A few songs later, when Death and Farewell to the Fairground turned up, the singing got louder, the kind where you’re half singing to the band and half singing to your own memory of the song.
I kept thinking about how long this band has stayed the same on paper. It’s still the three of them, Harry McVeigh, Charles Cave, Jack Lawrence-Brown, and there’s something reassuring about that when you’re watching a set that leans so hard on atmosphere. The classics were the ones you’d hope for, There Goes Our Love Again and Tokyo both got that lift where the room seems to lean forward together. Going Nowhere had a quiet confidence to it, and In the Middle felt like a breather without losing pace.
By the time Bigger Than Us arrived, it felt like they’d done the smart thing and used the setlist to stitch the new material into the familiar shape, rather than separating it into "old" and "new" sections. Keep Up finished the night with everyone still engaged, no rush for the door, just that lingering few seconds where you look around to see if other people are doing the same little mental rewind.